Quan Yin, Kaun Yin, Oriental Goddess of Mercy and Compassion ( Pearl of Wisdom )
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Kuan Yin.. childrens play.. video clips... the coolest.. check it out!!!!
 

    
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Kuan Yin is one of the most beloved deities

and Oriental peoples have been worshipping Kuan Yin or Quan Yin as the Goddess of mercy and compassion for many centuries; She is known by many names and in many forms

Many tales are told about her and the ways in which she provides help and protection
She is often represented nursing a child but she may also be shown as a fierce demon, the form she adopts to travel unmolested through the Afterworld

Daoism (Taoism)(at least the Hokkien variation) has three major female deities-- Xi Kong Ma, or the Queen of Heaven,
Dao Ma (The Big Dipper), and Ma- cho (Matzu, the Goddess of the Sea).  Kuan Yin has subsumed the roles
of each of these goddesses; instead of going to Xi Kong Ma's Daoist heaven, people choose to go to Kuan Yin's Pure land with (Lord of light and love) Amitabha. Kuan Yin has power over nature and the sea, so fishermen make offerings to Kuan Yin instead. As for Dao Ma, Kuan Yin is seen to have control over the forces of Heaven. This is related to Pure Land Buddhism which is very similar to Christianity.
In the Philippines, Daoists worship the Virgin Mary as a manifestation of Kuan Yin,
 



Throughout the Orient altars dedicated to this Mother of Mercy can be found in temples, homes and wayside grotto's and prayers to her Presence and her Flame are incessantly on the lips of devotees as they seek her guidance and succor in every area of life. On the spiritual level, she is said to bestow clarity of mind to see beyond illusory desires, and to grant the clear vision of truth.The image holds the Vessel of Amrita ( nectar )to symbolise her ability to heal all diseases and grant immortality. And on the other hand, she holds a Mirror of Truth symbolising that when we rely on her as our heart deity she will gently reveal the truth us as the mirror tells no lies. Her central hands are in the Mudra of healing the eyes. It is said, if one does her meditations well, Spiritual Healers will be able to perform their art better, for she will grant the ability to diagnose and "see" accurately the ailments that plague their patients. For seers and diviners, she helps them to "see" with pristine clarity for them to be able to assist their querents to remove their pains and suffering and to bring relief into their lives. how wonderful our Kuan Yin mother is to manifest in such skillful forms to assist all beings great and small.


Kuan Yin is the compassionate mediatrix of the East..  SHE IS the Goddess of Compassion,

A motherly figure said to bestow children on the faithful, protect all children and be there for anyone in need of compassion and love

Quan Yin is certainly one of the most adored of Goddesses, not only among her own people, the Chinese, but the world Many who worship her believe she is still, and always, looking after those in need of her care

Quan Yin; Likened to the worship of Mary in the West, is the Holy Mother of Compassion and Mercy

She is the personification of Karuna - the principle of boundless Compassion and loving kindness

She is the patron of all mothers, and is often pictured with a child seated next to her

To invoke her name will bring protection and help to those in need
It is said to have a Kuan Yin picture or statue in your house brings good luck and protection to the household and family

She was, and is, a Buddhist Bodhisattva (a mortal who has achieved enligtenement and earned the right to enter Heaven or Nirvana), who, when at the gates of Heaven, heard someone on Earth cry and so turned back, vowing that she would stay on Earth to do all she could to ease our suffering
She vowed not enter Heaven until everyone could go there with her

This bodhisattva's main attraction for people lies in her efforts to eliminate suffering and to make people live in peace and harmony
This kind of immediate benefit and the ability to receive protection or help simply by calling the bodhisattva's name, similar to children receiving an instant reply when calling their mother, have contributed to Kuan Yin's great popularity

"I am cultivating this method of great compassion and hope to save all living beings," Kuan Yin said.
"Any living being who calls my name or sees me will be free from all fear and danger".
"I will activate that being's spiritual awareness and maintain it forever".

" In the Pure Land sect of Buddhism, (which is very similar to christianity) Kuan Yin forms part of the ruling triad, (Trinity); that is often depicted in temples and is a popular theme in Buddhist art
In the center is the Buddha of Boundless Light, Amitabha (Chinese, A-mi-t'o Fo; Japanese, Amida)
To his right is the bodhisattva of strength or power, Mahasthamaprapta, and to his left is Kuan Yin, personifying his endless mercy

In Buddhist theology Kuan Yin is sometimes depicted as the captain of the "Bark of Salvation," guiding souls to Amitabha's Western Paradise, or Pure Land--the land of bliss where souls may be reborn to receive continued instruction toward the goal of enlightenment and perfection
The journey to Pure Land is frequently represented in woodcuts showing boats full of Amitabha's followers under Kuan Yin's captainship

Thus Avalokitesvara, or Kuan Yin, is regarded as the "reflex" of Amitabha—a further emanation or embodiment of "maha karuna (great compassion), the quality which Amitabha himself embodies in the highest sense

Many figures of Kuan Yin can be identified by the presence of a small image of Amitabha in her crown
It is believed that as the merciful redemptress Kuan Yin expresses Amitabha's compassion in a more direct and personal way and prayers to her are answered more quickly

According to the Huayen Sutra (Buddha-vatamsaka-mahavaipulya Sutra), Kuan Yin uses all kinds of ways to attract people: she makes gifts, uses words of love, and transforms herself into persons like those that she deals with
The "Universal Gateway" chapter in the Lotus Sutra lists thirty-two typical forms in which Kuan Yin may appear

For instance, if a boy or girl is about to gain some enlightenment, Kuan Yin transforms herself into a boy or a girl to teach the child
If a monk is about to attain some enlightenment, Kuan Yin transforms herself into a monk

In short, she can appear as a monk, a nun, a king, a minister, a celestial being, or a normal person like you and me
The purpose of such transformations is to make people feel close to her and willing to listen to her words

The iconography of Kuan Yin depicts her in many forms, each one revealing a unique aspect of her merciful presence

As the sublime Goddess of Mercy whose beauty, grace and compassion have come to represent the ideal of womanhood in the East, she is frequently portrayed as a slender woman in flowing white robes who carries in her left hand a white lotus, symbol of purity
Ornaments may adorn her form, symbolizing her attainment as a bodhisattva, or she may be pictured without them as a sign of her great virtue

Symbols characteristically associated with Kuan Yin are a willow branch, with which she sprinkles the divine nectar of life; a precious vase symbolizing the nectar of compassion and wisdom, the hallmarks of a bodhisattva; a dove, representing peace and fecundity; a book or scroll of prayers which she holds in her hand, representing the dharma (teaching) of the Buddha or the sutra (Buddhist text) which Miao Shan is said to have constantly recited; and a rosary adorning her neck with which she calls upon the Buddhas for succor

Often seen alone or next to a statue of Amitabha Buddha, Avalokitesvara Bodhisattva, ie.. Kuan Yin, the Goddess of Mercy; is the most popular and most venerated Buddhist figure besides Amitabha Buddha and Sakyamuni Buddha

A popular Chinese saying illustrates this aspect: "Everyone knows how to chant Amitabha Buddha, and every household worships Kuan Yin

" Kuan Yin embraces the qualities of compassion and motherly love
Many Buddhist scriptures state that one can invoke Kuan Yin's assistance by simply calling out her name.

Sakyamuni Buddha confirmed Kuan Yin's vow: "If a suffering being hears the name of Avalokitesvara Bodhisattva and earnestly calls out to the bodhisattva, Avalokitesvara will hear the call and redeem that being from his suffering" ("Universal Gateway," Lotus Sutra)

Beloved as a mother figure and divine mediatrix who is very close to the daily affairs of her devotees, Kuan Yin's role as Buddhist Madonna has been compared to that of Mary the mother of Jesus in the West

There is an implicit trust in Kuan Yin's saving grace and healing powers
Many believe that even the simple recitation of her name will bring her instantly to the scene The Bodhisattva Kuan-yin made a great vow to release all sentient beings in the universe from suffering

Numerous miraculous events have been attributed to Kuan-yin all over the world


Because of the intimate relation that she has with us, it is taught that by undertaking adoration of her as a path of cultivating realization, one will obtain swift success

Still very much a part of Eastern culture, Kuan Yin has awakened interest in her path and teaching among a growing number of Western devotees who recognize the powerful presence of "the Goddess of Mercy," along with that of the Virgin Mary and Mary Magdalene, ( Also Bodhisattvas and Goddesses of Mercy and Compassion) as an illuminators and intercessors of the Seventh Age.(Heavenly Kingdom on Earth)


Her mind is virtue, perfected. Her body is wisdom, perfected. Her face is bathed in holy light; She is compassion itself.

---ancient Chinese sutra to Kuan Yin

It is unfortunate that Buddhism's most enduring (and universal) contribution to the world has been insufficiently translated as compassion. The original Sanskrit word is 'karuna,' which holds within itself traces of the fragment 'ru,' meaning to weep. While the Oxford dictionary describes compassion as pity bordering on the merciful, karuna is actually our ability to relate to another in so intense a measure that the plight of the other affects us as much as if it had been our own.

The term karuna is central to the entire Buddhist tradition. It is frequently described as a love for all beings, equal in intensity to a mother's affection for her child. However, it is quite unlike conventional love (Sanskrit: priya, kama or trishna), which is rooted in dualistic thinking and is egoistic, possessive and exclusive, in contrast to the all-encompassing nature of compassion. The root meaning of karuna is said to be the anguished cry of deep sorrow and understanding that can only come from an unblemished sense of oneness with others.

Kuan Yin
Kuan Yin

 

 

 

 

In fact, the evolution of Buddhism in Asia and its spread throughout the world is, from a spiritual point of view, none other than the unfolding of karuna in history. Nowhere is this more explicitly exemplified than in the Chinese assimilation of Buddhism. Few would deny that the defining symbol of this integration is the goddess, who with her sweet and merciful disposition, has won the hearts of not only the Chinese, but also profoundly affected even those who, belonging to a foreign tradition, have only had a fleeting interaction with her. This divine female is none other than Kuan Yin, beloved goddess of over a billion people the world over. Her name too signifies her compassionate nature, literally meaning 'One who hears the cries of the world.'

 





THE LEGEND OF QUAN YIN
The story of how it was that Miao Shan came to be the Bodhisattva of Compassion


There are many legends about the origin of Quan Yin; Legend says Quan Yin, was originally a princess, that in 7th century China, a king had three daughters, the youngest named Miao-Shan

Quan Yin's earthly name is Miao Shan (Wondrously Kind One): At the time of Miao-Shan's birth, the earth trembled and a wonderful fragrance and flower blossoms sprang up around the land.
Many of the local people said they saw the signs of a holy incarnation on her body

While the king and queen were amazed by this blessing, they were unfortunately corrupt, and they saw little value in having a child who appeared pure and kind

When Miao-Shan got older, the king wanted to find a husband for her

But she told her father she would only marry someone if by so doing she would help alleviate the suffering of all mankind

The king became enraged when he heard of her devotion to helping others, and forced her to slave away at menial tasks

Her mother, the queen, and her two sisters admonished her, all to no avail

Quan Yin not wishing to marry a wealthy, but cruel husband like her sisters sought permission from her father to enter a temple

In desperation, the king decided to let her pursue her religious calling at a monastery; However, though he gave his permission, he secretly ordered the temple priestesses to make life very difficult for Quan Yin and to treat her so badly she would change her mind

She was forced to collect wood and water, and run the garden for the kitchen

They thought this would be nearly impossible, since the land around the monastery was barren

To everyone's amazement, the garden flourished even in winter, and a spring welled up out of nowhere next to the kitchen. Also, the animals near to the temple saw her struggles with all her chores and came to help her

Many thought it to be a miracle and when word spread of the miracles, Quan Yin's father said, "Alas, the austere life suited her all too well" So the king, his patience at an end, embarked upon a series of measures marked by increasing severity to bend her to his will
Rage mounting day by day, he finally had her dragged from the convent and imprisoned in a tower, there to be nourished on revolting food
Once again the animals came to help her and brought her food.

The king became even angrier, "It's all in vain", he cried!; Drinking to drown his chagrin served only to increase it, until one day, being quit drunk, he shouted to his henchmen: "A monstrous child so lost to filial propriety as to deny her father his dearest wish pollutes all under Heaven. The earth must be cleansed of this foul example of disobedience to loving parents, lest the fashion spread and corrupt future generations; See to it this night!!" "Sorrowfully his attendants led the little princess to a lonely spot where the headsman awaited her, weeping but not to be delflected from his duty
The child was made to kneel and the headsman, grasping with both hands the terrible sword that had drunk the blood of many a brutal criminal, was preparing to strike when a blinding tempest arose
In a moment the stars were blotted out, thunder roared and a dazzling ray from Heaven shone down upon the kneeling victim
Ere the headsman could regain his courage, a gigantic tiger bounded from the darkness and carried the swooning girl into the nearby hills

At this time Miao Shan received the signular honor of a visit from Amitabha Buddha in person! Assuming the splendidly shining form known as the Buddha-Body of Reward, he abjured her to seek safety on seagirt Potala, known to mariners as the Island of P'u-t'o

When the king heard about her escape, he became detemined to kill Miao-Shan and also the nuns who were supposed to have tormented her
But as his henchmen arrived at the cave where Miao-Shan was, a spirit came out of a fog of clouds and carried her away. An island diety, summoned from Potala, carried the princess to her new abode, travelling more swiftly than the wind
For nine full years Miao Shan, when not engaged in meditation, performed deeds of compassion which, crowning the merits acquired in previous lives, completed all that remained to enable her to attain the status of Bodhisattvahood
It was at this time that the charming youth Shan Ts'ia (Virtuous Talent) became her acolyte

She lived there on her own for many years, pursuing a life of of religious dedication

Thereafter, by virtue of her Bodhisattva's all-seeing eye, she beheld one day a calamity that suddenly befell the third son of the Dragon King of the Eastern Sea
Wandering the ocean joyously in the form of a fish, he had been caught by a fisherman and was being carried to the market in a pail heavy with the living victims of the day's catch
Instantly Shan Ts'ai was dispatched to purchase those unhappy creatures and return them to the sea
His Majesty the Dragon King, apprised by his son of his deliverance, sent Miao Shan a lustrous jewel known as the Night Brilliance Pearl, by the light of which the Bodhisattva would be able to read sacred books to her heart's content, no matter how dark the night
The gift was carried by his own grand-daughter, Lung Nu (Dragon Maiden), who was so entranced by the virtue and loveliness of her uncle's deliverer that she vowed there and then to dedicate her life to the achievement of Bodhisattvahood
To this end, she entered Kuan Yin's service and has every day since been seen in her company

Upon her death the Princess Miao Shan descended into hell and there, by the power of her unsullied purity, compelled its ruler to release nearly every one of the shivering wretches delivered to him for punishment Seeing that hell was being emptied of its inhabitants the demons demanded that she leave.

Upon reaching the heavens, Quan Yin was made to be a Goddess for the purity of her soul and the compassion she held for all others. Feeling the longing to help those in need, Quan Yin asked permission to return to earth to help those in pain
It was her vow never to leave earth as long as there were those in need of her help

Sometime later, her father, the king, was very old and became seriously ill.
He was unable to sleep or eat, and his doctors believed he would certainly die soon.
As he was about to pass on, a monk came to visit the king.
The monk told the king he could cure the monarch, but he would have to grind up the arms and eyes of one free from hatred to make the medicine.
The king thought this was impossible, but the monk assured him that there was a Bodhisattva living in the king's domain who would gladly surrender those items if asked.
The king sent an envoy to find this unknown bodhisattva.
When the envoy made his request, Miao-Shan gladly cut out her eyes and severed her arms.
The envoy returned, the monk made the medicine, and the king instantly recovered.
When the king thanked the monk, the monk admonished him; "You should thank the one who gave their eyes and arms." Suddenly, the monk disappeared. The king believed this was divine intervention, and after ordering a coach prepared, headed off with his family to find and thank the unknown bodhisattva.

When the royal family arrived, they realized it is was their daughter Miao-Shan who had made the sacrifice.
Miao-Shan spoke up, "Mindful of my father's love, I have repaid him with my eyes and arms." With eyes full of tears and hearts full of shame, the family gathered to hug Miao-Shan. As they did, auspicious clouds formed around Miao-Shan; The earth trembled, flowers rained down, and a holy manifestation of the Thousand Eyes and Thousand Arms appeared hovering in the air.

And then, the bodhisattva was gone. To honor Miao-Shan, the royal family built a shrine on the spot, which is known as Fragrant Mountain







It is not unusual to see Kuan Yin in various forms and poses

She always appears cloaked in white, the color of purity, and her gowns are long and flowing

Often she will be holding a rosary in one hand, a symbol of her devotion to Buddhism and its tenets

She will also have either a book (The Lotus Sutra, which refers back to her origins), or a vase, which symbolizes her pouring compassion on to the world

She is often seen carrying the pearls of illumination or pouring a stream of healing water, the "Water of Life," from a small vase. Her cupped hands often form the Yoni Mudra, symbolizing the womb as the door for entry to this world through the universal female principle. Other times, she might be holding a willow branch, which is a symbol of being able to bend (or adapt) but not break. The willow has medicinal purposes as well

"Rocks, willows, lotus pools or running water are often indications of her presence, In the chime of bronze or jade, the sigh of wind in the pines, the prattle and tinkle of streams, her voice is heard"

Often, she will be seen holding a child, a reminder of her role as a spiritual madonna and the patron saint of barren women

She might be seated or standing on a lotus blossom, which is one of the main symbols of Buddhist purity, since it a beautiful flower that grows out of mud.

She might say; "So what is the meaning of this, my little one?"




33 MANIFESTATIONS OF KUAN YIN

These aspects of Kuan Yin are listed in Chinese Buddhist tradition. You can invoke them by adding the word "Namo", for example:

Namo Yang Liu Guan Yin

Also, you may simply unite yourself to the Manifestation, for example:

I unite myself (or any aspect, problem, etc. of yourself or life) to You, O Yang Liu Guan Yin.

1. Yang Liu Guan Yin (yahng lyoh gwan yeen) Kuan Yin who holds a willow branch [a Healing Power--her willow branch drips with sweet dew]

2. Long Tou Guan Yin (lohng tow gwan yeen) Kuan Yin of the dragon head [the symbol of Kuan Yin's Power--and everything having to do with her Dragons]

3. Chi Jing Guan Yin (cher jing gwan yeen) Kuan Yin who holds the sutra [her Knowledge and Wisdom--really, Kuan Yin as Prajnaparamita!]

4. Yuan Guang Guan Yin (yewen gwahng gwan yeen) Kuan Yin of complete light [complete = whole; a vast Wholeness of Light that banishes all shadows]

5. Yu Xi Guan Yin (yew shee gwan yeen) playful Kuan Yin [happy, laughing, smiling, playful, lighthearted Aspect]

6. Bai Yi Guan Yin (bye yee gwan yeen) white-robed Kuan Yin [her Purity--also Kuan Yin in the mantle of Pandaravasini, "the White-robed One", Consort of Amitabha Buddha]

7. Lian Wo Guan Yin (lyen wo gwan yeen) Kuan Yin who sits on a lotus leaf [sitting upon, enthroned upon, having dominion over the chakras]

8. Long Jian Guan Yin (lohng jyen gwan yeen) Kuan Yin who views waterfalls or swift water [Mistress of Energy Flow, and the Waterfall of Light and Blessing coming down from Above]

9. Shi Yao Guan Yin (sher yao gwan yeen) Kuan Yin who give medicines [Bestower of all Healing, Remedies, Cures on all levels]

10. Yu Lan Guan Yin (yew lahn gwan yeen) Kuan Yin of the fish basket [Abundance, Prosperity, Fertility--also Community, Friendship, Marriage, the Auspicious Symbol of the Double Fishes--also all of this through Mastery of Water and Emotion]

11. De Wang Guan Yin (duh wahng gwan yeen) Kuan Yin, the Queen of Merit or Virtue [Merit and Virtue as TE, the Power or Shakti of the Divine Mother; mastery of the Kundalini]

12. Shui Yue Guan Yin (shway yweh gwan yeen) Kuan Yin of moon and water [Mastery of emotion, the Water Element; dominion over images and appearanes or reflections]

13. Yi Ye Guan Yin (yee yeh gwan yeen) Kuan Yin of the one leaf [attaining the Whole through one part of the Whole, because every part has the whole contained in it. One leaf can give you the whole tree, or book]

14. Qing Jing Guan Yin (ching jing gwan yeen) blue-throat Kuan Yin [for cancelling out all poisons--mental, emotional, physical]

15. Wei De Guan Yin (way duh gwan yeen) powerful and virtuous Kuan Yin [again, mastery of Shakti and Kundalini]

16. Yan Ming Guan Yin (yen ming gwan yeen) Kuan Yin who extends life [extending not only quantity but quality of Life and Life Force]

17. Zhong Bao Guan Yin (johng bao gwan yeen) Kuan Yin of various treasures [treasures of every kind, including in the sense of hidden treasures of Teaching and Blessing]

18. Yan Hu Guan Yin (yen hoo gwan yeen) Kuan Yin of the rock cave [the rock cave can be the Secret Chamber; also it can be, in another aspect, the cave of the subconscious and unconscious, which Kuan Yin takes dominion over]

19. Ning Jing Guan Yin (ning jing gwan yeen) the calming Kuan Yin [harmony, peace of body and mind and soul--overcoming anger]

20. A Nou Guan Yin (ah nou gwan een) the Anu Kuan Yin [image of Kuan Yin seated upon a rock looking out over the sea to find beings in distress]

21. A Mo Di Guan Yin (ah mo dee gwan yeen) Kuan Yin of (the Buddha Amoghasiddhi's) fearlessness [Kuan Yin as expression of the Dhyani Buddha Amoghasiddhi]

22. Ye Yi Guan Yin (yeh yee gwan yeen) Parnashabari (leaf-robed) Kuan Yin [another healing and nurturing manifestation]

23. Liu Li Guan Yin (lyoo lee gwan yeen) lapis lazuli Kuan Yin [lapis is the color of healing and long life, and of the Healing Buddhas and Bodhisattvas]

24. Do Lo Guan Yin (do lo gwan yeen) the Tara Kuan Yin [Kuan Yin as Tara]

25. Ge Li Guan Yin (guh lee gwan yeen) Kuan Yin of the clam [Kuan Yin as the opener of shut or closed or unmoving situations, people, energies]

26. Liu Shi Guan Yin (lyoh sher gwan yeen) Kuan Yin of six hours [the ancient Chinese "clock" was divided into 3 periods of six hours--therefore mastery of time, and Kuan Yin's protection throughout the entire day and night]

27. Pu Bei Guan Yin (poo bay gwan yeen) universally compassionate Kuan Yin [all-compassionate]

28. Ma Lang Fu Guan Yin (mah lahng foo gwan yeen) Kuan Yin the wife of Ma Lang [Ma Lang means "Mr. Ma" or "Husband Ma", based on a legend; I would say seeing oneself as the pure consort of Kuan Yin, her helpmate and active expression on earth]

29. He Jang Guan Yin (huh jahng gwan yeen) Kuan Yin of joined palms (in prayer, harmony with others, etc.) [prayer, goodwill, harmonious relations]

30. Yi Ru Guan Yin (yee roo gwan een) Kuan Yin of Oneness [Oneness in all ways--wholeness, integration of oneself and oneself with Kuan Yin--in this Manifestation She stands upon a Cloud and has mastery over all Energy]

31. Bu Er Guan Yin (boo are gwan yeen) non-dual Kuan Yin [not separate or divided or fractured from Oneself or from Kuan Yin]

32. Chi Lian Guan Yin (cher lyen gwan yeen) Kuan Yin who holds the lotus [holds = has mastery of the chakras]

33. Sa Shui Guan Yin (sah shway gwan yeen) Kuan Yin of pure water [pure liquid Light, Sweet Dew--can be used to bless water and liquids, also]

 

 

 

from John Blofeld’s “Bodhisattva of Compassion”
Cheng Li’s Tale of Kwan Yin
adapted by Lama Jigme Gyatso: Rime Manipa Tantrika




Part I. ARROGANCE



My father and grandfather,
Confucian scholars of the old school,
looked on Buddhists with disfavor,
believing them to delude people with lurid tales of magic.

It was through my mother,
an unusually highly literate woman from a village near Ta Li,
that I came upon the profound doctrine know as
“the voidness of NON-void.”

A devoted follower of the Pure Land School,
she cared nothing for metaphysics,
but it was her custom to buy whatever Buddhist works
the peddler who supplied us happened to bring.

As a small child I learned to recite the sacred formula,
“Hail to A-mi-ta-bha Bud-dha!”
many hundreds of times a day,
though always in secret for fear of my father’s anger.

My mother believed
that one-pointed repetition of this formula
was enough in itself
to ensure liberation from the round of birth and death.



Once when my classmates in middle school
heard me softly invoking A-mi-ta-bha Bud-dha
they jeered at me so heartily
that, to win back their esteem,

I took to bringing to school Buddhist works
which they had to admit
would tax the understanding
of great scholars.

Pretending I understood these works myself,
I came to study them in all seriousness.

I believed then that the Pure Land practice
was suitable only for women, peasants
and similarly ill-educated people
and had turned instead to such works as

“The Pure Consciousness Treatise,”
the “A-va-tam-sa-ka” and “Lan-ka-va-ta-ra” Sut-ras.

They availed me nothing,
their only effect being to disturb my mind,
so I returned to invoking A-mi-ta-bha Bud-dha,
but NOT without reflecting smugly

that my understanding of this practice
was now at a “higher level” then my mother’s!

How ignorant I must have seemed to her!
“Higher” and “lower,” “deep” and “shallow,”
what have these dualisms to do
with knowledge and understanding?



Once I went to listen to a lecture on Pure Land contemplation
by a famous Tri-pi-ta-ka Master
who fired me with ambition
to visualize scenes of unimaginable vastness.

This, too, got me nowhere.
Having painfully built up a huge and glittering background
of immense, heavily bejeweled trees and lakes,
I had to set about creating images of the Three Holy Ones.

NO sooner had I started on A-mi-ta-bha Bud-dha
then the background slipped away;
starting on Kuan Yin Bo-dhi-sat-tva,
I lost A-mi-ta-bha;

starting on Ma-has-tha-ma Bo-dhi-sat-tva,
I lost Kuan Yin.

It was all beyond my power.
Only conceit hindered me
from going back to simple repetition of the sacred formula,
which my mother had never for one day abandoned.



Part II. DREAM



One night I dreamed of being shipwrecked,
of clinging to a spar in a furiously raging sea.
Mountainous waves curved about me like writhing dragons
until, at last, I was cast upon a shore of unearthly beauty.

Overlooking the rocky coast,
a hill of turquoise rose from a forest of jade
that was watered by foaming cascades
of milk-white purity.

The wings of birds and insects
had a jeweled sheen;
the spotted deer
had coats of white and crimson fur.

How could I doubt that I had come upon
the sea-side paradise of Po-ta-la?
Awed, but joyous, I climbed swiftly towards
the crest of a hill.



I had been observed,
for a young girl came running down the slope to greet me.
Her charming little feet seemed scarcely to touch the rocks
over which she sped.

When she turned and signaled me to follow her,
I had difficulty in keeping up
and was irked to notice how torn she was
between good manners and an urge to burst out laughing.

On our reaching the mouth
of a great turquoise cavern,
she ran in and soon disappeared from view,
leaving me to follow as best I could.

We had come to this place
by skirting a lake of gold-flecked blue,
an arm of which ran into the cave,
it’s blue water hidden beneath masses of pink and white lotuses.

Though NO direct sunlight
penetrated beyond the entrance,
the cave was illuminated as though by bright sunshine
and a delicate fragrance filled the air.

In the center
was a throne-shaped rock.

Though it had neither cushions NOR occupant,
I knew it as the Bo-dhi-sat-tva’s own
and, kneeling, I bowed my head
to the gleaming silver sand at it’s foot.

As I did so,
my name was spoken by a voice
as melodious as the tinkling of jade ornaments,
the syllables distinct and long drawn out.



********************************************************************

“Chen Li, when my vow was uttered many eons ago,
I made things simple.
Why do you STRIVE?
Let go!

The whole Ma-ha-ya-na Canon
contains NO greater wisdom
than the wisdom of Letting go.
This is also called Da-na, giving.”

********************************************************************



There came a sweetly joyous laugh,
then silence.
I knew I was now alone
in that shining cave.

Already the magical colors
were fading
into powder-fine colored sparks
that vanished one by one.

Darkness followed
and stretching out my hand,
I brushed it against the gauze curtains,
that hung around my bed.



Part III. TRANSFORMATION



Now I have done with Su-tras
and pious practices.
Day and night I recite the Bo-dhi-sat-tva’s sacred name,
rejoicing in the beauty of it’s sound.

NOT for me it’s recitation in multiples of One-hundred and Eight,
as though it were a duty.
Does the runner count his breaths, the poet his words,
or the stream it’s ripples?

You sentient beings who seek deliverance,
why do you NOT let go?
When sad,
Let go of the cause of sadness.

When wrathful,
Let go of the occasion of wrath.
When covetous or lustful,
Let go of the object of desire.

From moment to moment,
be free from grasping
at the illusion of a permanent
or separate “self.”

Where there is
NO separate “self” to grasp,
there can be NO permanent sorrow,
NO graspable desire;

NO causally-separate “me” to weep,
NO compositionally-separate “me” to lust,
NO circumstantially-separate “being” to die
and NO perceptually-separate “being” to be reborn.

The winds of circumstance
blow across the infinite expanse
of NON-graspable emptiness.
Whom can they harm?



Wrathful: banish the thought of “me.”
Sad: let fall the cause of woe.
Lustful: shed desire’s mental object.
Win all by simply Letting go.



Well dear friend
there you have it.
I hope you have enjoyed this adaptaion
of Cheng Li's tale of Kwan Yin.
 



 

Below is a chant/prayer meditation page . The chant is "She Who Hears the Sounds of the World" and is a dedication to Quan-yin - the sounds being tears and laughter.

Quan-yin is the embodiment of Compassion and Wisdom. In most of the Taoist temples of China there were rituals and prayers offered to Quan-yin so that all of the new-found healing energy and wisdom could be put to right use.
 

The chant is sung:

NAMU / QUAN SHIR YIN / PU / SA

Na mu / Quan / shir / yi - n / pu - u - u / . sa - a


Na mu / Quan / shir / yi - n / pu - u - u / . . sa
 

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